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Antony Tudor (4 April 1908 – 19 April 1987) was an English ballet choreographer, teacher and dancer. ==Biography== Tudor, born William Cook, discovered dance accidentally. He began dancing professionally with Marie Rambert in 1928, becoming general assistant for her Ballet Club the next year. A precocious choreographer, at age twenty-three he created for her dancers ''Cross Garter'd'', then ''Lysistrata'', ''The Planets'' and other works at the little Mercury Theatre, Notting Hill Gate, and his two most revolutionary, ''Jardin Aux Lilas'' (''Lilac Garden'') and ''Dark Elegies'', before the age of thirty, himself dancing the main roles. In 1938, he founded the London Ballet with Rambert members, including his future life partner, Hugh Laing,〔Re: Laing (1911-1988), see his entry in ''The Encyclopedia of Dance & Ballet'', Mary Clarke and David Vaughan, eds (New York: Putnam, 1977), pp. 202f; and William Como, "Editor's log: Hugh Laing", ''Dance Magazine'' (July 1988), p. 32〕 Andrée Howard, Agnes de Mille, Peggy van Praagh, Maude Lloyd and Walter Gore. With the onset of World War II, in 1940 he was invited with them to New York, joining Richard Pleasant's and Lucia Chase's reorganized Ballet Theater. Chase's company was later to become the American Ballet Theatre, with which Tudor was closely associated for the rest of his life. He was a resident choreographer with Ballet Theater for ten years, restaging some of his earlier works but also creating new works, his great ''Pillar of Fire'' (1942), ''Romeo and Juliet'', ''Dim Lustre'' and ''Undertow'', on that company by the end of the war. Retiring from dancing in 1950, he headed the faculty of the Metropolitan Opera Ballet School, taught at the Juilliard School recurrently from 1950 onwards, and was artistic director for the Royal Swedish Ballet from 1963-64. He choreographed three works for the New York City Ballet. Tudor continued his teaching career as Professor of Ballet Technique at the Department of Dance, University of California, Irvine from 1973 (work curtailed by a serious heart condition), while rejoining American Ballet Theatre in 1974 as associate artistic director, creating ''The Leaves Are Fading'' and ''Tiller In the Fields'', his last major work, in 1978. With Laing, he continued seasonal residence in Laguna Beach, California. Tudor was awarded a creative arts medal by Brandeis University, the ''Dance Magazine'' and Capezio awards, New York City's Handel Medallion, and both Kennedy Center and Dance/USA National Honors.〔For these and other cited facts, see the obituary statement by Gary Parks, "Antony Tudor, 1908-1987", ''Dance Magazine'' 61 (August 1987): 19; Tudor's entry in ''The Encyclopedia of Dance & Ballet'', Mary Clarke and David Vaughan, eds (New York: Putnam, 1977), pp. 341f; and ''On Point'' (Friends of American Ballet Theatre) 13, no. 1 (Fall 1986): pp. 3-4〕 Tudor was inducted into the Mr. & Mrs. Cornelius Vanderbilt Whitney Hall of Fame at the National Museum of Dance in 1988. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Antony Tudor」の詳細全文を読む スポンサード リンク
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